Friday, December 15, 2017

Psychocide-Alcohol & Bad Decisions

Self-release/Independent
2017

Formed in 2013 in New York City by vocalist/guitarist Goldwyn Thandrayen, Psychocide is a upbeat hard & heavy rock band that now calls Montreal, Quebec it's home base of operations.  The self-produced "Alcohol & Bad Decisions" serves as Pyschocide's debut album and it is a strange (if not somewhat satisfying) offering. Seeing as the band's influences range from Mötley Crüe to Muse (by way of System of a Down and any number of radio-friendly mid-90's pop punk bands!) you're bound to have that! If not for the catchy nature of this material (memorable lyrics and well-structured songs are the name of the game here) and the energetic attitude of Goldwyn Thandrayen and company this could have been one huge mess. For whatever reason though it works. If you have ever wondered what a hard rock band would sound like if they drew inspiration from all the best things that the eighties and nineties had to offer (Depeche Mode and Dangerous Toys influences on a lone album? I'm in!) then this is the group that you've been waiting for! You can check out this album at your leisure by heading to the highlighted link above. For more information on this interesting band by sure to clink on this link. It will take you to the band's official website.

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Wednesday, December 13, 2017

Dungeon Wolf-Slavery Or Steel

Self-Release/Independent
2017

Dungeon Wolf is a brand new project from one of the hardest working men in all of heavy metal, vocalist/guitarist Deryck Heignum (ex-Stormlurker member who is otherwise known as Norse Law). The every so cool artwork above, which comes courtesy of Joel Sanchez Rosales and does a bang-up job of representing the epic metal storm that awaits the listener, depicts Dungeon Wolf's founder and front-man as the "Supreme Master of Metal and the Universe" that he is! Skillfully-engineered by Dungeon Wolf' bass player (and fellow Stormlurker' band mate) Stan Martell, "Slavery Or Steel" serves as the full-length debut album for this impressive three-piece band. Ex-Stormlurker' drummer Austin Lane rounds things out this metallic trio. Speaking of all things metallic, Dungeon Wolf's debut combines elements of epic metal, power metal, progressive metal, speed metal, technical metal, and traditional heavy metal. The highly-memorable "Hidden Dreams" opens the band's first album up in style. Not only does it show off the amazing guitar skills of Dungeon Wolf's founder, but his ever-evolving vocal delivery. High-pitched vocals come as a pleasant surprise from this muscular metal maniac. They work well when stacked up against high-classic U.S. power metal. Of course there are still plenty of heavy & harsh vocal lines to be found on this eight song album. Thanks to the versatile nature of this tech-savvy trio, "Slavery Or Steel" offers up the perfect mixture of melody and full-throttle metal. As this is the same line-up that was responsible for Stormlurker's "A Dark Formation", chemistry is at an all-time high (line-up wise). All three members of Dungeon Wolf excel when it comes to the album's overall performances. These are top-tier musicians playing top-shelf epic/power metal. The individual songs show passion and dedication to the holy grail that is heavy metal and each track offers something new and exciting. With splendid lyrics and a fantastic vibe(!), "Slavery Or Steel" is the cream of the crop as far as new metal offerings are concerned! Kudos to everyone involved with Dungeon Wolf's Grade A debut.

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Tuesday, December 12, 2017

Conan-Man is myth


K800_760_Conan_RGB
Napalm
2017

If you listen you likely know this band, but possibly not these songs. That's because this one of those "early days" collections. In this case it's seven demos recorded between 2006 and 2012 which is when their debut album came out. Demo collections aren't going to be for everyone. Whether or not you check it out probably depends on how much like the given band. To be honest given my limited listening time I don't always give time to every demo collection that gets released. For this band and this style I wanted to give it a listen because this kind of sludge is a genre that I think might be cool in raw versions. Was I correct in this? Partly the older tracks certainly see the band establishing parts of the style they are known for but they aren't perhaps songs I would listen to over and over. The songs from 2012 are the strongest entries on this collections as we get offered more of what we know this band for. There's some messy parts, but there's also enough thick sludge to make up for any shortcomings. At the very this album will serve to fill in the gap a little bit while fans for the next studio albums which is supposed to be coming out in early 2018.

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Slander-Resolution Defiance

Stormspell Records
2017

English heavy metal band Slander, formed in 1990 and initially only active until 1993, released it's full-length debut album, "Careless Talk Costs Lives", way back in 1991. Now lead by vocalist Martin Moffwood (Stonefist), Slander are back on the scene with their long-anticipated sophomore LP. Clocking in at just under 38 minutes, Slander's "Resolution Defiance" comes along some 26 years after the group's critically-acclaimed debut. It also serves as the follow-up to Slander's 2013 split with Twisted State of Mind. Along with new and improved vocalist Martin Moffwood, Paul Snape makes his studio debut as Slander's bass player. He joins guitarist Ian Snape (2014-present) and founding members Andy Saxon-Lamb (guitars) and Andy "Eddie" Edwards (drums). With these new members in place, Slander comes out with all guns blazing and they make up for lost time with album number two. Things open up strong with the slightly-atmospheric "Lazarus" (a one minute instrumental opener) which runs straight into the metallic muscle punch of "Backs Against The Wall". The (riff-heavy) metal rocker "The Machine Keeps on Rolling" is next and it's followed up by the equally-awesome "When We Die". From there we have the slick title cut, the N.W.O.B.H.M.-infused "Take Me Down", and the powerful "Juggernaut". The album's longest track, "In a Dark Place", closes things out with a bang. It's a hard-edged/rock-steady take on classic heavy metal and it is beyond epic! Ultimately this is as perfect an album as one can get! And no, I don't say that lightly. From start to finish Slander's new album gets a A+ grade! Thanks to the addition of second guitarist Ian Snape and the marked improvement that is Martin Moffwood, Slander's new album is a step forward from what was already a dynamite sound! When it came to Slander's debut, N.W.O.B.H.M. meets eighties heavy metal is the description I used when I first heard it. Those influences are still here, but on album number two they have been merged with creative and highly-memorable heavy/hard rock. With Any Saxon-Lamb on one side and Ian Snape on the other, "Resolution Defiance" features some of the best guitar work that I have heard in a very long time! Whether it is the general riffs (which are energetic and just plain fun!) or the simply killer guitar solos, "Resolution Defiance" greatly benefits from having Andy Saxon-Lamb backed-up by a second guitarist. Special praise should also be given to Slander's new & improved rhyme second (I'm loving Paul's bass work and the always reliable drumming of Andy "Eddie" Edwards!) and the great vocal work of Martin Moffwood. Collectively-speaking, Slander circa 2017 is the best line-up to date and it has produced an album that cannot be topped! Even though it hasn't been officially released yet, "Resolution Defiance" is my vote for the heavy metal album of the year!! We can only hope that it doesn't take nearly as long for album number three to arrive!




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Monday, December 11, 2017

Current playlist-end of 2017 edition

kreator

To be honest I missed a lot of releases the first half of the year and have been trying to play catch-up the second half of the year. I am still way behind in getting around to hearing all the albums I wanted to this year. Over all it's been a good year for the styles of music I like. Here is what I am checking out recently.

Listening to-
Kreator-Gods of violence
Blood Feast-The future state of wicked
Horrified-Allure of the fallen
Primitive Man-Caustic
Morbid Angel-Kingdoms disdained
Bell Witch-Mirror Reaper

Reading-
Nine lessons I learned from my father

Watching-
Twilight Zone the complete series
The Broncos trying to not get a high draft pick.
The Capitals getting it together and getting hot.

Feel free to add what you are listening to, reading or watching in the comments.

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Thursday, December 07, 2017

Clamfight -III

CF
Argonauta
2018
New Jersey's Clamfight has their aptly named third studio album album III hitting shelves next month. Gone are the album covers that looked like they were drawn by a middle schooler, but they stay the course with thick and slow slabs of fuzzy heaviness. We get five tracks in all this time around. Most of the songs require some degree of patience from the listener to allow the band to plod away and get to their destination. The music itself leans towards the basic side, but the tones and the bands quest to twist those tones certainly helps their cause. They don't compromise what they are trying to do on any of these songs, but instead hope we will hand in their and ride along on this winding, snail paced trail they lay out. Overall I think each of their studio albums has been better than the one before it and III keeps that trend going. This is likely I'll revisit soon as it's definitely one that needs a few spins to really take effect.

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Wednesday, December 06, 2017

Legendry-Dungeon Crawler

Non Nobis Productions
2017

Pittsburgh, Pennsylvania is the home base of operations for epic traditional/power metal band Legendry. Formed in 2015 and currently comprised of vocalist/guitarist Vidarr (Defeat, ex-Bare-Sark), bassist Evil St. Clair, and drummer Kicker, Legendry has two full-length albums and one demo to it's name. The eight song "Dungeon Crawler" is the latest recording from this (classic metal loving) trio and it arrives one year after the group's well-received debut album, "Mists of Time". The epic 10-minute title track opens up Legendry's newest release in grand fashion. It name checks not only the title of the band's 2016 (Mists of Time), but one of the group's inspirations (Pagan Altar). Other influences include Manilla Road, Cirith Ungol, Brocas Helm, Omen, Wishbone Ash, Uriah Heep, Jethro Tull, King Crimson, Yes, and Lords of the Crimson Alliance (whose "Swords of Zeus" they cover!). Along with compelling lyrics and the album's vintage vibe (especially in regards to the album's production), "Dungeon Crawler" features some truly fantastic music! On a few of the tracks the band is joined by guest keyboardist Drea, but overall it's Vidarr, Evil St. Clair, and Kicker that are responsible for all of the great metal on display here. With it's splendid mixture of epic metal, American power metal, classic metal, and seventies-infused prog(!), "Dungeon Crawler" is a smashing success and one album that I am glad to have stumbled upon. With bands like Legendry alive and well the true heavy metal scene is in good hands!

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Sunday, December 03, 2017

Jacobs Moor-Self

Self-Release/Independent
2017

Jacobs Moor is a progressive power metal/thrash metal band that has been active since 2010. Self-produced by the band members themselves (Richard Krenmaier-vocals, Rupert Träxler and Johannes Pichler-guitars, Stephan Först-bass, and Rainer Lidauer-drums), "Self" is the latest studio album from Jacobs Moor. It was sent my way courtesy of drummer Rainer Lidauer. Having covered the band's 2014 debut album, "All That Starts", and the 2015 EP, "The Evil in Me", I looked forward to diving straight into this recording. After a brief instrumental introduction ("March of the Flies") we cut right into the heart of the matter with "Watching Atrocities" (see video below). This powerful piece rips the album wide open and leaves little doubt as to the fact that this five-piece band is back and as killer as always! Not that there was any doubt whatsoever. Given the strong effort that was was "The Evil in Me", "Self" merely reaffirms the mad skills of this technical and precise power/thrash unit. Making our way through the heavy thrash of "The Absence of Me" and the sick title track (progressive metal with muscle and might!), "Self" proves to be a remarkably consistent album. Not so much in a style kind of way. It's actually impressive songwriting and the overall performances of everyone that wins the day. It seems pretty obvious that the material on "Self" has been re-written and re-worked to maximum efficiency. When it comes to "Self" there is also a lot of variety to be found. While technical power metal is primarily what is on display, "Self" goes a long ways towards adding a little bit of everything to the mix. It's all here from the blues to modern day extreme metal. There are touches of classic metal and hard-edge thrash. Harsh and clean vocals give way to sensational drumming while the stringed instruments are nothing short of dynamic! "Self" is the rare kind of album where every song gels together and yet each track could work on it's own. Opening with the shortest track on the album ("March of the Flies"), Jacobs Moor ends "Self" with the longest cut of the bunch. Clocking in at over eleven minutes(!), "Hopeless Endeavor" shows of the many talents of this veteran act. Now in their seventh year together (it's almost eight years really), Jacobs Moor should be a household name by now. The fact that they are not is a tremendous shame. Maybe "Self" will end up being the band's winning ticket? Let us hope so. Because quite frankly this Austrian metal band has sat on the sidelines for far too long.



Video for "Watching Atrocities":


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